Last week I finished Goulash, but decided to wait a bit before posting as I wanted to be sure I was finished. Because of my hectic schedule, my composing has been sporadic and it was hard to feel a sense of continuity in the piece. After reviewing the piece, I feel that I did create the continuity I was looking for.
M. 122-136 creates a transition back the more rhythmic portion of the slow section. It begins with a restatement of the main fast idea and then begins to develop it a bit before fragmenting some of the ideas. M. 165 winds down the slow section material and M. 171 suddenly brings the listener back to the fast section. M. 192 is a slight variation of this material that appeared earlier. M. 210 to the end is a fiery coda that extends the marimba idea at M. 198 for some technical fireworks.
During this movement, I found myself using the ends of phrases to start my new phrase. This is a way of unifying ideas and also creating variety. An example would be how the saxophone line that ends at M. 9 begins the phrase at M. 16 and then develops into its own melody. T.S. Eliot said "in my end is my beginning". That certainly applies in many places throughout this movement.
I am now working on preparing the parts for this piece and getting them off to the performers for their comments.
To see and hear what I have composed thus far, go to http://www.cooppress.net/goulashblog.html
The score is transposed.