Welcome to my blog

I have created this site in order to provide performers, listeners and composers with a description of a composer's experiences with the creative process. The posts will provide discussions of the inspirations, challenges, and successes of a composer from the inception of the piece to the culmination in performance. I will provide a link to where you can see and hear the works in progress. Comments and questions are always welcomed. They will not posted unless you grant me permission.

Monday, November 14, 2011

Interplay Movement 2

While I am please with the second movement, it was once again a piece that did not flow easily from beginning to end. While the ideas came easily enough, the needed a lot of editing to help the movement flow.

This movement is in three sections creating an ABA' form. The B section is divided into an A A' A'' A.

The opening A begins slowly and expansively, utilizing melodic intervals of mainly 4ths and harmonic intervals of 4ths and 5ths. The interweaving or interplay of the tuba and bassoon begins at measure 9, while the piano continues the open harmony. A three-measure chromatic adventure contrasts the openness of the earlier material and leads to a new tonality at measure 19 where some of the earlier material is repeated in this new tonality. The piano takes over the interweaving before going to the chromatic wandering, slightly extended.

A plaintive bassoon ostinato begins the B section. The tuba states the main melodic idea that will be transformed in this section. It is interrupted by a staccato arpeggio figure that will continue that role throughout this section. The bassoon takes over the next statement of the thematic idea and then the bassoon and tuba play it in harmony. This statement transforms the 6/8 meter to 7/8. A climax is reached at the end of this section before returning to a quieter, rhythmically altered version with the ostinato in the piano left hand and the melody in the bassoon.

A recapitulation of the opening A occurs with subtle transformations. The movement ends quietly with some lush chords that move to a more open sound in the piano.

To see and hear what I have discussed, go to http://www.cooppress.net/interplay_blog.html. You can view and hear the score if Scorch is downloaded on your computer and/or listen to the mp3 file.

As always, your comments are appreciated.

Dr. B

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